Showing posts with label Graphic Novel. Show all posts
Showing posts with label Graphic Novel. Show all posts

Friday, November 23, 2012

Online Comics

Online comics provide a newer and interesting take on the traditional paperback comics that we have all grown so fond of over the years.  But are they really comics? Should the be recognized as the kin of traditional graphic novels? Or should they be considered an entirely different medium?

I believe that they are still most definitely comics.  For me, what makes a comic are the transitions between panels and closure, as defined in Scott McCloud's book, "Understanding Comics".  Online comics, while providing more closure between frames with the help of motion pictures, are still a good bit of animation away from movies and cartoons.

In Scott McCloud's online comic "The Right Number", readers move through a comic by clicking an arrow.  In the center of each frame is a smaller version of the next frame.  In some instances, this inward motion actually aides in closure and transitions. An great example can be seen below:


Another aspect that really makes a comic a COMIC is frame usage.  In "The Right Number" there is minimal "traditional" frame usage (as in arrangement within the comic page), although it does still exist. In an online comic version of The Teenage Mutant Ninja Turtles, motion is used a bit more frequently (making it closer to a cartoon) but a heavy dose of frame usage and arrangement is added.
The addition of frames helps to remind readers that although there is some motion and moving pictures, the story they are reading is most DEFINITELY still a comic.

These factors give online comics the right to be considered, in my opinion, actual comics. They may be different from the traditional book version, but the same storytelling techniques and time transitions still exist in this newer, updated medium of comic book reading.

Friday, November 9, 2012

Essex County Story Structure

Jeff Lemire’s Essex County presents a very unique, interlocking story between its three segments.  As each story unravels, so does its characters. Each of the story’s main characters are all interrelated with each other. Their background help to create an entire story of the history of these characters and how they all arrived in Essex County.

In the Book One: Tales From the Farm, we are introduced to Lester Papineau, a quiet young boy with a very active imagination.  As the story progresses, we find out that Lester’s mother died while he was young and that he lives with his Uncle.  He later ends up meeting a now retired, but once up and coming hockey player named Jimmy Lebeuf.  Due to an injury sustained to the head, Jimmy was forced to quit hockey and ended up suffering minor mental problems from it. Later, without the consent of Lester’s Uncle, Jimmy starts to spend time with Lester.

Book Two: Ghost Stories, tells the history of two hockey playing brothers, Lou and Vince Lebeuf. Eventually, Vince ends up marrying a woman named Beth Morgan. Unbeknownst to Vince, there is a strong emotional and sexual tension between Beth and Lou.  This tension eventually culminates into Lou and Beth conceiving Vince and Beth’s daughter, Mary.  Mary and her husband have a child named Jimmy Lebeuf, Vince and Lou’s promising hockey athlete grandson.

In Book Three, the stories collide and lock into place as we discover the origin of the nurse named Anne Byrne. She is caring for Lou as he is elderly and in need of daily assistance.  Anne’s grandmother, Sister Margaret Byrne was a nun who cared for orphans with a priest named Charles Gerrard.  Against the vows of celibacy they had taken, they conceived an illegitimate child, Anne Byrne’s mother. Amongst the children that Sister Margaret cared for, was one Lawrence Lebeuf, the father of Vince and Lou. 

One day the orphanage burned down and Sister Margaret and the orphans were forced into the wintery wilderness to find a new home.  During the fire, Charles Gerrard died while rescuing one of the children, Lawrence Lebeuf. Sister Margaret and the children wandered the wilderness until they came to a town in Essex County.

Towards the end of Book Three, we also find out the real father of Lester Papineau. His mother, who had died years before, was married to Jimmy Lebeuf. Jimmy is Lester’s real father, but as Lester’s mother, Claire Papineau, saw it on her death bed, Lester’s Uncle Kenny was more suited to care for Lester than Jimmy. Jimmy left Claire during their marriage. Lester was never told that Jimmy was his real father until the end of the book when Kenny decides to reveal it to him.

I feel that Lemire decided to create such a complex and intricate story in order to build suspense throughout the book as well as keep the reader’s interest. He succeeded in making one big story out of three separate ones.  While I had somewhat questioned the real story underneath the three separate stories, it all became clear by the end of Book Three when all the story’s paths join together.  This book was extremely entertaining to read and the connection of the stories intensified the reading pleasure. 

Monday, October 22, 2012

Frame Usage for “Essex County Book Two: Ghost Stories” and “Batman: The Dark Knight Returns”

     Jeff Lemire's "Essex County" and Frank Miller's "Batman: The Dark Knight Returns" both have very unique structures with their frame usage. Both use a wide variety of different frames. As well, both possess an interesting and varied usage of transitions.

Jeff Lemire's "Ghost Stories"

Lemire's second installment, "Ghost Stories" is a story of recollection and memories of past events.  Many of the frames correlate with this mode of narration. The frames are somewhat standard of comics but are often interrupted to aid in the display of flashbacks and flashforwards.

Jeff Lemire's "Ghost Stories"


Frank Miller's "Dark Knight Returns"

     Frank Miller's "Dark Knight Returns", uses a very unique style for its framing.  Often times the standard format of framing is as per the example on the left. However oftentimes, the normal format of framing is interrupted by segments in which the frames resemble TV screens viewing the news. The example on the right displays how this format typically repeats throughout the novel.

Frank Miller's "Dark Knight Returns"

     While at times each novel has similar standard frame formatting, both novels use their own unique formats to help aid their narratives. "Ghost Stories" relays dissonant and dreamy sequences with its frame usage to tell a flashback/memory based story.  In "Dark Knight Returns", the story is very much based in chaos. The frame usage helps reflect the anarchy and tense conflict that the story is based on.